$20 TOPTIE Men's Classic High Visibility Work Coverall with Reflecti Clothing, Shoes Jewelry Men Uniforms, Work Safety $20 TOPTIE Men's Classic High Visibility Work Coverall with Reflecti Clothing, Shoes Jewelry Men Uniforms, Work Safety TOPTIE Men's Classic High favorite Visibility Coverall Work Reflecti with TOPTIE Men's Classic High favorite Visibility Coverall Work Reflecti with Visibility,Reflecti,Work,Coverall,articleorbit.com,Classic,$20,TOPTIE,/blog/,High,Clothing, Shoes Jewelry , Men , Uniforms, Work Safety,Men's,with Visibility,Reflecti,Work,Coverall,articleorbit.com,Classic,$20,TOPTIE,/blog/,High,Clothing, Shoes Jewelry , Men , Uniforms, Work Safety,Men's,with

A surprise price is realized TOPTIE Men's Classic High favorite Visibility Coverall Work Reflecti with

TOPTIE Men's Classic High Visibility Work Coverall with Reflecti

$20

TOPTIE Men's Classic High Visibility Work Coverall with Reflecti

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Product Description

Why us?

TOPTIE have been concerned with work apparel manufacturing for a long time. We make a great deal of prophase preparation before marketing. We test, tweak and mass – producing. By continually expanding and updating its selection, now we offers garments ranging from reflective vest and work vest to items such as chef coat, work coat and coveralls. Whatever you do, there is always one for you. This is the goal that we have been working on.

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TOPTIE Men's Classic High Visibility Coverall with Reflective Trim

Made with a 65% polyester 35% cotton blend, these relaxed fit coveralls are lightweight, durable and breathable.

Neck and waist snap in front to conceal the 2-way center front metal zipper closure, giving you a perfect look and helping protect the paint job from accidental scratches.

Our work coveralls feature a generous-fit back and an elastic band at waist, permitting freedom of movement. Work coverall in twill comes with seven spacious pockets - 1 ruler pocket, 2 chest pockets, 2 hand pockets in front and 2 large back pockets.

Enhanced Visibility, retro-reflective trims on the back, waist, arms and calves help keep you visible on the jobsite and in the black of night.

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Size Chart

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TOPTIE Coverall and Overall

"tbody" "th" Coverall with Zipper Pockets "th" Long-Sleeve Coverall "th" Short-Sleeve Coverall "th" Coverall with Hook and Loop Pockets "th" Long-Sleeve Visibility Trim "th" Short-Sleeve Visibility Trim
1 8 7 1 14 13
Material 5.5 Oz 65% Polyester 35% Cotton 5.5 Oz 65% Polyester 35% Cotton 5.5 Oz 65% Polyester 35% Cotton 8.5 Oz 65% Polyester 35% Cotton 5.5 Oz 65% Polyester 35% Cotton 5.5 Oz 65% Polyester 35% Cotton
Action Back ✓ ✓ ✓ ✓ ✓ ✓
Elastic Waistband ✓ ✓ ✓ ✓ ✓ ✓
Closure Two-Way-Zipper Closure Two-Way-Zipper Closure Two-Way-Zipper Closure Two-Way-Zipper Closure Two-Way-Zipper Closure Two-Way-Zipper Closure
Chest Pockets 2 with Zipper 2 2 2 with Hook and Loop Flags 2 2
Front Pants Pockets 2 2 2 2 2 2
Hip Pockets 2, One with Zipper and One with Button 2 with Buttons 2 with Buttons 2 2 with Buttons 2 with Buttons
Other 2 Pen Slots on the Left Arm and 1 Pocket on the Right Leg Side 1 Ruler Pocket 1 Ruler Pocket 2 Pen Slots on the Left Arm 1 Ruler Pocket 1 Ruler Pocket
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TOPTIE Men's Classic High Visibility Work Coverall with Reflecti

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

Our opening hours are:
Tuesday – Saturday: 11am – 6pm

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Anna Silverton

Anna is known for her finely wheel-thrown porcelain vases and bowls and her meticulous attention to detail. Having trained at Camberwell School of Art and the Royal College of Art, she spent time teaching in the US before returning to London. She established her ceramics workshop almost 30 years ago, which is now based in South London at her home in Sydenham.

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Rose Wallace

Rose’s work aims to comment upon us all as today's consumers. She employs original discarded objects as her starting point. Whether it is an 18th Century clay pipe, a 1950s jelly mould or a piece of contemporary plastic packaging, she believes the inherent value held within the transience of our collective domestic ephemera has a story to tell.

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John Pollex

John Pollex has carved his own niche into the world of studio pottery. Translating his interest in Zen calligraphy into the spontaneous and mesmerising display of colour his work is known for today.

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Adela Powell

Adela studied the natural sciences and her work reflects a depth of observation of the natural world. Universal patterns, textures, and forms in nature, where science and art are inseparable, are Adela’s constant source of inspiration. She is particularly drawn to fragmentation and erosion, which she attempts to incorporate in her work, allowing fortuitous accidents and influences from the subconscious to enrich the process.

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Chloë Dowds

Chloë is based in Co. Wicklow, Ireland. After studying Fine Art Ceramics (BA Hons.), achieving a Higher Diploma in Art Education, and completing her MA in History of Art and Architecture at the University of Limerick, Chloë moved to Thomastown, Co. Kilkenny to complete the Design and Crafts Council’s two-year pottery skills training course.

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Christine-Ann Richards

Christine-Ann trained at Harrow School of Art and Technology with Mick Casson (1971-73), then worked with David Leach. In London, she started her own workshop as a member of the Barbican Arts Group (1975-83) and in 1976 became a Selected Member of the Craftsmen Potters Association and the Society of Designer Craftsmen. She now works from her home, a converted chapel near Frome in Somerset.

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